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・ Deborah Jinza Thayer
・ Deborah Jones
・ Deborah Jowitt
・ Deborah Joy
・ Deborah Joy Corey
・ Deborah Joy LeVine
・ Deborah K. Chasanow
・ Deborah K. Jones
・ Deborah K. Ross
・ Deborah Kafoury
・ Deborah Kampmeier
・ Deborah Kaplan
・ Deborah Kaplan (disability activist)
・ Deborah Kapule
・ Deborah Kara Unger
Deborah Kass
・ Deborah Kay Davies
・ Deborah Keenan
・ Deborah Kennedy
・ Deborah Kenny
・ Deborah Kerr
・ Deborah Kimmett
・ Deborah King
・ Deborah King Center
・ Deborah Klimburg-Salter
・ Deborah Knight
・ Deborah Kottel
・ Deborah L. Cook
・ Deborah L. Graham
・ Deborah L. Turbiville


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Deborah Kass : ウィキペディア英語版
Deborah Kass

Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. The artist mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol,Jackson Pollock, and Ed Ruscha.〔http://www.artsy.net/artist/deborah-kass〕
Kass’s technique of appropriation is a critical commentary on the intersection of social power relations, personal identity, and the historically dominant position of male artists in the art world.〔Kass, Deborah, and Lisa Liebmann. Deborah Kass: Before and Happily Ever after. New York: Skira Rizzoli, 2012.〕
==Life and work==
Deborah Kass was born in 1952 in San Antonio, Texas. She received her BFA in Painting at Carnegie Mellon University, and studied at the Whitney Museum Independent Study Program and the Art Students League of New York.〔http://paulkasmin.vaesite.net/__data/fd160b61d609bf025f25b53fb0a70123.pdf〕 Her work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum.〔(The New York Times, Riffing On Forefathers And Mothers, 10/28/2012 ) The New York Times, retrieved April 25, 2014〕
In 2012 Kass's work was the subject of a mid-career retrospective ''Deborah Kass, Before and Happily Ever After'' at The Andy Warhol Museum in Pittsburgh, PA.〔(Has Deborah Kass Saved Warhol Appropriation?, Hyperallergic January 4, 2013 ), Retrieved April 25, 2014〕 An accompanying catalogue published by Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric Shiner and writers and filmmaker Brooks Adams, Lisa Leibmann and John Waters.
Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston. A survey show, ''Deborah Kass, The Warhol Project'' traveled across the country from 1999-2001. She is a Senior Critic in the Yale University M.F.A. Painting Program.〔http://art.yale.edu/DeborahKass〕
Kass’ paintings often borrow their titles from song lyrics. Her series ''The Feel Good For Feel Bad Times'', incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work. 〔http://www.warhol.org/responsive/event.aspx?id=7074〕

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